Renaissance Papers 2018 Published
Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne.
Table of Contents
One Little Room, An Everywhere”: Staging Silence in London’s Blackfriars and Shakespeare’s Henry VIII –Deneen M. Senasi
“What they are yet I know not”: Speech, Silence, and Meaning in King Lear – John N. Wall
Shakespearean Epiphany – Robert Lanier Reid
Between the “triple pillar” and “mutual pair”: Love, Friendship, and Social Networks in Antony and Cleopatra – Jonathan Shelley
“Beauty Changed to Ugly Whoredom”: Analyzing the Mermaid Figure in The Changeling – Kendell Spillman
Imagining the Other in a Cuzco Defense of the Eucharist – Lisandra Estevez
A Critique of Poor Reading: Antissia’s Madness in The Countess of Montgomery’s Urania – Rachel M. De Smith Roberts
“Thou thyself likewise art lyttle made”: Spenser, Catullus, and the Aesthetics of “smale poemes“ – Melissa J. Rack
The ordo salutis: Sacred Circularities in John Donne’s “Good Friday 1613. Riding Westward” – Nathan Dixon
“Broken-Backed” Texts: Meritocracy and Misogyny in Ben Jonson’s The Forrest – Don E. Wayne